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The fourth page shows photos which show methods of identification of
emotional types and emotional images in faces of people when emotional
displays are caused by deliberate movements of facial mimicry. |
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Emotional types are the most obvious and natural displays of emotions which
are most peculiar to people, but frequently in faces of people it is possible to
see mimicry of emotions which mismatch emotional types, that is possible to see
emotional images which people show to associates. In some cases shown emotional
images can be steady or otherwise tell long, and can change shape of a face,
namely proportions of a face can change as a result of long emotional changes,
but however the primary emotional type of a face can be identified.
For example, photos of football player Cristiano Ronaldo.
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The first photo corresponds to 52nd physiognomic symbol
as outlines of eyebrows at temples are located above outlines at nose
bridge that corresponds with joyful emotions. Contours of eyelids at
temples are located below rather than at nose bridge as if eyes are
covered by eyelids that corresponds to sad emotions. The mouth is
slightly opened that corresponds to the open emotions. |
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The second photo corresponds to 26th physiognomic
symbol as outlines of eyebrows at temples are located above outlines at
nose bridge that corresponds with joyful emotions. Contours of eyelids
at temples are located below contours at nose bridge as if eyes are
covered by eyelids that corresponds to sad emotions. The line of a mouth
is straight that corresponds to quiet emotions. |
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The third photo corresponds to 52nd physiognomic symbol
as outlines of eyebrows at temples are located higher rather than at
nose bridge that corresponds with joyful emotions. Contours of the left
eye correspond to sad emotions. The line of a mouth is straight, but
however lips are slightly opened that corresponds to the open emotions. According to contours of the right eye it is possible to identify the open emotions as the right eye is opened and not covered by eyelids, but however emotional displays are sad according to contours of the left eye. |
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The fourth photo corresponds to 53rd physiognomic
symbol as outlines of eyebrows seem straight that corresponds to the
quiet or closed emotions. Contours of eyes correspond to sad emotions.
Lips are slightly opened that corresponds to the open emotions. In the photo it is possible to see the blinked eyes that corresponds to purposeful attention or a purposeful sight, but emotions of eyes are sad. |
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According to the shown photos it is possible to assume that the emotional
type of football player Cristiano Ronaldo corresponds to 52nd physiognomic
symbol that is possible to see in the first and third photos, as the open
emotions of a mouth also sad emotions of eyes and joyful emotions of eyebrows
look more natural in comparison with other emotions.
In particular quiet emotions of eyebrows seem provoked by emotional reaction to
event of world around in the fourth photo. And quiet emotions of a mouth seem
caused by emotional reaction to event of world around in the second photo.
It is possible to assume that quiet emotions of a mouth in the second photo and
26th physiognomic symbol correspond to the emotional image which Cristiano
Ronaldo shows to surrounding people. Apparently, this emotional image is
produced or deliberate, namely this image is intended for creation of desirable
external shape. Actually this emotional image and quiet emotions of a mouth are
the reason of proportional changes in the face of Cristiano Ronaldo, namely are
the reason of formal changes which result from purposeful emotional changes. But
however the primary emotional type is shown as a result of spontaneous emotional
reactions to events of world around, that is possible to see in the fourth photo
where emotions of a mouth are opened.
Deliberate restrictions of mimic movements, or purposeful and controllable by
consciousness movements of a mimicry, change emotional displays but however it
is possible to see and distinguish deliberate emotions and original emotions in
faces of people.
Long restrictions of natural movements of facial mimicry are capable to change
proportions of a face, namely can change the sizes and formal parameters of
facial features. But in most cases such changes of proportions are adverse, as a
face of each person changes according to natural psychological changes, and
unnatural emotions contradict original psychological properties of a
personality. Namely as a result of unnatural mimic movements there is an
infringement of laws of physiognomy according to which psychological properties
of a person are displayed in facial features.
The following page also shows photos according to which it is possible to see methods of identification of emotional types and emotional images in faces of people.
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