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The first page describes changeable emotional images which express
emotions of people, and constant shapes which are embodied in faces of
people and are emotional types. And also gives the information on
identification of emotional images and shapes in faces of people. |
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Emotional types are derivatives of emotional images, namely correspond with
physiognomic symbols which designate emotional images and correspond with 64
hexagrams of the canon of changes i-jing, that is described on pages of this
website in section: concepts of the canon of changes.
But emotional types correspond with constant shapes of human faces, and
emotional images are changeable displays of emotions, namely changeable
emotional images arise in connection with situations and circumstances of a
human life as responses to events, and constant shapes are the fixed emotions
which are embodied in human faces. Otherwise it is possible to tell that
emotional shapes are the fixed facial features, and emotional images supplement
facial features with changeable emotional expressions.
Hence, the fixed shapes of emotional types are connected with physiognomy of a
human face, and changeable emotional images are connected with physionomy of a
face, if to consider definitions according to which the physionomy considers
changeable emotions and allows to speak about emotional displays of people, and
the physiognomy considers constant facial features and allows to speak about
psychological features of people.
The word physiognomy is derivative of words physis and gnosis which have
values "nature" and "knowledge", and in aggregate mean knowledge of human nature
or knowledge of psychological features of people. And the word physionomy is a
synonym of the word face in some languages. But actually the word physionomy
correspond with words physis and nomos which have values "nature" and "name".
Emotional types correspond with physiognomic symbols according to parities with
64 hexagrams of the canon of changes i-jing which is a complex of logic symbols
and allows to systematize versions of human emotions. Namely the variety of
human emotions is unified and compared with hexagrams i-jing, and in essence the
variety of emotions is designated by the unified
complex of physiognomic symbols which are
identical to hexagrams i-jing, that is in detail described on pages of this
website in section which has the name: concepts of the
canon of changes.
Physiognomic symbols are conditional images of human emotions and consequently
conditionally correspond with real emotional shapes and images of people, but
physiognomic symbols allow in convenient form to perceive and systematize all
emotional types. Otherwise it is possible to tell that physiognomic symbols can
be used not only for recognition of changing emotions, but also for ordering and
identification of the fixed emotional shapes which are emotional types.
But identification of emotional types by means of physiognomic symbols differs
from identification of changeable emotional images as it is difficult a little
to identify the closed emotions of eyes or the open emotions of a mouth in
constant shapes of human faces, but however physiognomic symbols are uniform
logic system which is intended for constant shapes and changeable images of
human faces.
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Physiognomic symbols are constructed according to three
positions of digrams in 64 hexagrams of the canon of changes i-jing,
namely top digrams correspond to eyebrows, middle digrams correspond to
eyes, bottom digrams correspond to a mouth. If digram has two break lines then emotions are open. If the top line is entire, and the bottom line is break then emotions are joyful. If the top line is break, and the bottom line is entire then emotions are sad. If both lines are entire then emotions are quiet or closed, that is possible to see on the chart. |
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The detailed information on parities of physiognomic symbols with hexagrams i-jing look in section which has the name: concepts of the canon of changes.
- The quiet or closed emotions of eyebrows.
In shapes and images of human faces can be identified equally if eyebrows look
quiet, namely if outlines of eyebrows are straight.
- The quiet or closed emotions of eyes.
In shapes and images of human faces can be identified if eyes look closed,
namely if it seems that the sight is discharged of world around and immersed in
a private world of a person, namely if it seems that the person does not see
surrounding validity. And in changeable emotional images can be identified if
eyes are really closed and cannot see surrounding validity.
Quiet or otherwise to tell the closed emotions of eyes are identified
differently in changeable images and constant shapes, as it is impossible to
identify eyes completely closed by eyelids in constant shape of a human face,
but eyes can look closed and discharged from word validity. And it is possible
to identify eyes which are discharged of validity or are completely closed by
eyelids in a changeable emotional image.
- The quiet or closed emotions of a mouth.
In shapes and images of human faces can be identified equally if the mouth looks
quiet, namely if the line of a mouth is straight.
- Sad emotions of eyebrows.
In shapes and images of human faces can be identified equally if eyebrows look
sad, namely if outlines of eyebrows at temples are located below outlines at
nose bridge.
- Sad emotions of eyes.
In shapes and images of human faces can be identified equally if eyes look sad,
namely if eyes are covered by eyelids and if contours of eyelids at temples are
located below rather than at nose bridge.
- Sad emotions of a mouth.
In shapes and images of human faces can be identified equally if the mouth
expresses sad emotions, namely if corners of a mouth are lowered.
- Joyful emotions of eyebrows.
In shapes and images of human faces can be identified equally if eyebrows look
joyful, namely if outlines of eyebrows at temples are raised in comparison with
outlines at nose bridge.
- Joyful emotions of eyes.
In shapes and images of human faces can be identified equally if eyes look
joyful, namely if eyelids seem slightly opened and if contours of eyelids at
temples are located above rather than at nose bridge.
- Joyful emotions of a mouth.
In shapes and images of human faces can be identified equally if the mouth looks
joyful, namely if corners of a mouth are lifted also a person smiles, or there
is an impression that a person smiles.
- The open emotions of eyebrows.
In shapes and images of human faces can be identified equally if outlines of
eyebrows are not straight lines, namely if eyebrows have a bend.
- The open emotions of eyes.
In shapes and images of human faces can be identified equally if eyes look
widely opened, namely if eyelids do not close eyes. And also the open emotions
of eyes can be identified if there is an impression that sight directs in world
around and a person aspires to see surrounding validity.
It is necessary to consider that in some cases the closed emotions of eyes
can be identified if eyelids do not close eyes, and consequently it is necessary
to distinguish the open and closed emotional expressions of eyes.
- The open emotions of a mouth.
In shapes and images of human faces can be identified if there is an impression
that the mouth is slightly opened, namely if lips seem slightly opened. And in
changeable emotional images can be identified if the mouth is really opened.
Namely in constant shapes it is impossible to see the open mouth, but emotional
expression of a mouth can be weakened and slightly opened, and in changeable
images it is possible to see the open mouth.
It is necessary to consider that the mouth can be slightly opened if a person
smiles, and consequently it is necessary to distinguish the open and joyful
emotional expressions of a mouth.
And also it is necessary to consider that the listed parities of emotions with
physiognomic parameters of human faces are provisional as faces of people have
different individual proportions, and consequently it is necessary to identify
emotional expressions in facial features of each person, that is told on
following page.
The following page shows photos as examples according to which it is possible to identify changeable emotions and constant emotional types of human faces.
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