mimicry of facial features

central page of facial features

definitions and meanings of physiognomy
female faces and cosmetics
make-up veil emotions
movements of facial mimicry

Page 5.

parities of the sun and the moon
emotional types and positions of planets
images in relations of people
values of facial shapes

 identification of emotions and mimic movements  

The fifth page describes methods of identification of emotional types and images when emotional displays do not show in movements of a mimicry or when features of a human face change as a result of emotional reactions slightly.
As examples I have chosen photos of men as man's faces have no cosmetics and a make-up which veil emotions.

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Emotional types and facial mimicry.
Identification of emotions and mimic movements.

Emotional images in faces of people are shown differently, as emotional types predetermine possible movements of a mimicry and influence primary display of those or other emotions. For instance, if to emotional type of a person there correspond sad emotions of eyebrows then display of joyful emotions can be not appreciable in emotional images because eyebrows as a result of mimic movements cannot look like joyful emotions, but however the person possesses joyful emotional displays irrespective of mimic movements which are possible according to formal parameters of facial features.
Therefore during physiognomic identification of emotional types and emotional images it is necessary to consider mobility and immovability of facial features, and in essence it is necessary to distinguish formal modifications of emotional images and observable modifications which cannot be seen according to movements of a mimicry, but can be identified according to impressions which specify sad either joyful, or other kinds of emotions.
For example, photos of football player Andrey Arshavin.

example in photos of football player Andrey Arshavin
 		 The first photo corresponds to 26th physiognomic symbol as outlines of eyebrows at temples are located above outlines at nose bridge that corresponds with joyful emotions. Contours of eyelids at temples are located above contours at nose bridge as if eyes are slightly opened that corresponds to joyful emotions. The line of the mouth is straight that corresponds to quiet emotions.
According to the left eyebrow it is possible to identify quiet emotions, but according to the right eyebrow it is possible to see that emotions of eyebrows are joyful.
 
joyful emotions of the mouth in this photo look deliberate
 		 The second photo corresponds to 64th physiognomic symbol as outlines of eyebrows at temples are above outlines at nose bridge that corresponds with joyful emotions. Contours of eyelids at temples are above contours at nose bridge that corresponds to joyful emotions. Corners of the mouth are raised that corresponds to joyful emotions.
Joyful emotions of the mouth in this photo look deliberate.
 
distinguish formal modifications of emotional images
 		 The third photo corresponds to 19th physiognomic symbol as outlines of eyebrows are raised and curved that corresponds to the open emotions. Eyes seem widely opened that corresponds to the open emotions. The line of the mouth is straight that corresponds to quiet emotions.
 
observable modifications seen according to movements of a mimicry
 		 The fourth photo corresponds to 12th physiognomic symbol as outlines of eyebrows are straight that corresponds to quiet emotions. Eyes express joyful emotions. Lips are slightly opened that corresponds to the open emotions of the mouth.
 
feature of emotional displays in the face of Andrey Arshavin The fifth photo corresponds to 53rd physiognomic symbol as outlines of eyebrows are straight that corresponds to quiet emotions. Eyes express sad emotions. The mouth is opened that corresponds to the open emotions.

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According to the shown movements of a mimicry it is possible to assume that the emotional type of football player Andrey Arshavin corresponds to the first photo and 38th physiognomic symbol, as quiet emotions of a mouth and also joyful emotions of eyes and eyebrows look the most natural in comparison with other emotions.
Feature of emotional displays in the face of Andrey Arshavin are identical formal parameters of eyes at displays of joyful or sad emotions that is possible to see in the fourth and fifth photos. Namely in both cases contours of eyelids are identical, but however can be seen that expressions of eyes in the fourth photo correspond to joyful emotions, and emotional expressions of eyes are sad in the fifth photo.
It is caused by proportions of this face and proportions of eyes, that is necessary to consider during identification of emotional types and images of people when emotional displays are not shown in movements of a mimicry, or mimic displays of emotional reactions are insignificant.
Thus it is necessary to mean that own emotions of the observer can influence results of identification. For example, if emotions of the observer are sad then there can be an impression that emotions of the observable person too are sad, or if emotions of the observer are joyful then can seem that emotions of the observable person too are joyful. But however is necessary to identify emotional type and then possible to identify possible displays of emotional images concerning emotions which are connected with features in emotional type. Becaus as a result of displays of changeable emotional images it is possible to see tension of mimic muscles or it is possible to see unnaturalness of emotions, or it is possible to see other physiognomic attributes according to which it is possible to distinguish constant formal parameters of emotional type from changeable attributes of emotional images.

The following page shows methods of identification of emotional types by means of astrological calculations.

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