Physiognomy of symbolical emotions.
Hexagram of the canon of changes YiKing 27.
Theatrical make-up can be coordinated with faces of actors and actresses, and also with psychological features of acting characters and heroes in plays and performances according to hexagrams Yi King and symbolical images of emotions which are shown in this gallery. Namely characteristics of personages in plays and prominent facial features of dramatic artists on the stage of theatre, and in essence emotional types of actors and actresses can be systematized by means of physiognomic symbols and hexagrams of the canon of changes Yi King. As a result theatrical directors and producers can specify variants of make-up for artists by means of physiognomic symbols which designate necessary emotional images, and in essence designate psychological patterns of characters whose roles are played by actors of theatre.
Emotions of social relationships.
Eyebrows: individual mind predominates over public consciousness.
Eyes: personal volition corresponds with collective will
Mouth: private needs subordinate to social requirements.
Personal wishes of a man or woman are identified with collective will, but individual reason dominates over corporative mentality, and social requirements dominate over private needs.
Personal mutual relations.
Eyebrows: you realize people and-or companions agree with you.
Eyes: you see people and-or companions notice you.
Mouth: you can not speak and-or companions do not listen to you.
Eyebrows: your notion determines opinions of people.
Eyes: your point of view is equivalent to sights of people.
Mouth: your words are caused by assertions of people.
People do not communicate with you intentionally, but they realize your presence.
Following 28 physiognomic symbol in gallery.
About hexagrams in gallery for make-up for artists and dramatic actors, also theatrical performances and motion pictures.