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Facial traits of people and numbers. |
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Numbers in numerology are nine signs or ciphers of decimal system of math
notations, but mathematical signs are symbols which designate various physical
substances and metaphysical phenomenal essences of world around, and essentially
designate "sizes" or otherwise to tell magnitudes of the existing phenomena of
which the world consists. It is possible to tell that nine numerological numbers
are a scale according to which phenomenal magnitudes form a range of the world validity.
Appearance of a man is a projection of personality and consequently facial
traits of human faces can be correlated to a world scale of physical and
metaphysical phenomena. Namely physiognomic lineaments of people can be
considered as a scale of physical substances and metaphysical essences, and
accordingly it is possible to correlate facial traits of people to numbers in
numerology, that is shown in the table.
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Top of forehead - num 9 - goddess Aphrodite. Middle of forehead - num 8 - gods Apollo and Dionysus. Eyebrows - num 7 - gods Hephaestus and Prometheus. Top of nose bridge - num 6 - deities Zeus, Poseidon, Demeter, Hestia. Middle of nose bridge - num 5 - goddess Athena. Nose-tip - num 4 - goddesses Hera and Leto. Upper lip - num 3 - god Hermes Lower lip - num 2 - gods Artemis and Hecate. Chin - num 1 - god Ares and goddess Eris. |
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Numerological numbers correspond with images of gods in ancient Greek
mythology that corresponds to principles of Pythagorean numerology, namely
characteristics of gods in myths of the Ancient Greece correspond to meanings of
numbers. And also people have characteristics similar to images of ancient Greek
gods if corresponding physiognomic facial traits in human half-faces are expressed.
Chin - num sign 1 - Ares and Eris
in myths.
Mythological Ares is a deity having energy, and accordingly people have force for
realization of vigorous actions, namely people are capable to put forward own
requirements and to achieve desirable results, that corresponds to reactionary
feelings in a context of physiognomy.
Ares in Greek myths is the god of war but it does not mean that people with big
chins are aggressive, as human faces seldom have only one expressed physiognomic
trait. The man can have except for a chin other expressed physiognomic traits
which correspond to characteristics of other mythological gods which can be mutually
exclusive, namely which can constrain aggressive characteristics of Ares. But if only
the chin is considerably expressed concerning other physiognomic facial traits then the
man can be aggressive.
Also other listed characteristics of gods are significant if corresponding
facial traits considerably are expressed concerning other physiognomic features.
And if different features of human faces are expressed then actually
characteristics of people are caused by correlations of facial traits, or
otherwise to tell are caused by relationships of mythological gods.
Besides number 1 in numerology and big chins in physiognomy correspond
with the mythological Eris who is the goddess of discords and was the
initiator of Trojan war in myths. But in essence Eris is the goddess of rivalry
and competitions, and also the deity of fair equity. Namely Eris was the
initiator of contention and Trojan war as she wished to compare beauty of three
most arrogant goddesses (Aphrodite, Hera, Athena) of the Olympic pantheon, and
she wished to determine the most beautiful goddess as a result of fair competition.
Lower lip - num sign 2 - Artemis and Hecate in myths.
Mythological Artemis is the spontaneous goddess who protects laws of the nature,
namely she follows natural displays of vital desires and becomes violent if
natural laws are broken. Provided that Artemis has dual image, namely she is
spontaneous but also in myths there is an image of the chaste goddess who tames
unrestrained customs of the spontaneous elemental world. It is possible to tell that
Artemis is capable to raise elements of the nature but also can rule over elements, that
corresponds to compromise feelings in physiognomy.
Hecate is the mythological goddess of charms, namely she is capable to fascinate
people as mysterious psychic energies of the nature are latent in metaphysical image
of Hecate.
Besides number 2 in numerology and the expressed lower lip in physiognomy
correspond with the mythological Selene who is personification of the moon, and
the moon is a symbol of sensuality and consequently it seems that people with
big lower lips have expressive feelings.
Upper lip - num sign 3 - Hermes in myths.
Mythological Hermes is the intermediary between gods and people that personifies a principle of
subordination and corresponds with the regulated feelings which mean observance
of rules in relationships.
Possibility of penetration into worlds of gods and
people can be considered as a mythological image of insight,
namely Hermes has acute feelings and astute perception,
or it is possible to tell extrasensory sensation of the world.
Besides Hermes is a patron of trickery and cunning, as his intensive
sensations allow to manipulate feelings of people.
Nose-tip - num sign 4 - Hera and Leto
in myths.
Mythological Hera is the goddess who is a symbol of matrimonial relationships
and is the wife of the Supreme Olympic god Zeus, namely matrimonial relationships
of this goddess are an
attribute of significant social position that is possible by means of
participation in affairs of world governors. It corresponds with radical individuality
according to which men and women show own personalities, namely Hera aspires to
titles for the sake of demonstration of own personality and she needs patrons, but she
adheres to principles of equality and respect in mutual relationships. If principles
of mutual respect are broken then Hera is the vindictive and jealous goddess.
Demonstration of social statuses of personalities are possible if people have
expressed not only nose-tips which correspond to number 4 and Hera in a context
of Pythagorean numerology, but also expressed top of nose bridge which
corresponds to number 6 and Zeus.
Mythological Leto too aspires to respect and titles and significant social
position, namely Leto is proud in glory of her children and she accepts honors
which are possible owing to children who are Artemis and Apollo. And also this
goddess of the Greek myths aspires to the consent and unanimity in relationships.
Middle of nose bridge - num sign 5 - Athena in myths.
Athena is the most significant figure of ancient Greek mythology as this goddess
is not subject to authority of the Supreme Olympic gods, namely she is
independent and exclusive goddess in relation to other gods, that corresponds
with voluntary individuality in a context of physiognomy.
She is fearless and demands respect in relationships. She is capable to have
leader role and can lead people by means of own acts, but Athena does not
command above gods and people as Zeus and Poseidon do, namely she promotes voluntary displays of human
aspirations.
Besides Athena in a context of the Greek mythology is the goddess of wisdom
as an epithet of her name is Sofia that means "divine knowledge".
Wisdom of Athena is not shown directly in sphere of individuality, but can be
shown in the event that any facial traits in physiognomic sphere of
consciousness also are expressed in addition to the middle of nose bridge.
Top of nose bridge - num sign 6 - Zeus, Poseidon, Demeter, Hestia.
Mythological Zeus and Poseidon are Supreme Olympic gods who have
unconditional authority.
Zeus does not realize function of authority itself, but other gods execute his
will and as a result Zeus organizes the measured order of life. Namely image of
Zeus seems terrible and impressive, and consequently he is the reason of
unconditional submission, but also Zeus is a majestic and benevolent god who
brings calmness and confidence in the world.
Poseidon is the god of water elements, and consequently he has violent temper.
He does not submit to another's will and aspires to own power, namely Poseidon
is the self-confident and quiet god, but violent temper is shown if someone
challenges the right of his authority.
Demeter is a source of fertility and material welfare, namely her mythological
image associates with abundance and material riches.
Hestia is the divine keeper of eternal fire which is a symbol of firmness for
the world order.
In myths of ancient Greece four Supreme gods correspond with 4 world
elements. Zeus - air, Poseidon - water, Demeter - earth, Hestia - fire.
Therefore it is possible to compare: Zeus - nose-tip, Demeter - bottom of nose bridge, Hestia
- middle of nose bridge, Poseidon - top of nose bridge
if to consider four gods in a context of twelve-level physiognomic system. But
in a context of nine-level facial systems four gods correspond with top of
nose bridge and correspond with conservative individuality.
Pay attention that Hera is the wife of Zeus that supposes comparison of Zeus with
nose-tip, and also Athena has
characteristics which are peculiar for Demeter and Hestia, that supposes
comparison of these goddesses with bottom and middle of nose bridge. Namely nine and twelve
lineament levels of a
human face are correlating in a context of physiognomy, that is told below on this page.
Eyebrows - num sign 7 - Hephaestus and Prometheus
in myths.
Mythological Hephaestus is the smith and reasonable master who creates
effective mechanisms, that in a context of physiognomy corresponds with analytical consciousness,
as analytical functions of consciousness are necessary for creation of mechanisms.
Mythological Prometheus has the name which means "conceiving before" that too
corresponds with analytical consciousness. This god is a source of fire and
knowledge for mankind, as he educates people and enables to think independently,
that contradicts aspirations of Zeus who has chained Prometheus to a rock.
Brother of Prometheus is Epimetheus whose name means "conceiving after",
that corresponds with the expressed chin and reactionary feelings in
physiognomy, and also with number 1 in numerology, as Epimetheus
before operates and then realizes results of actions.
Middle of forehead - num sign 8 - Apollo and Dionysus
in myths.
Mythological Dionysus is the god of winemaking and intoxication ecstasy, and in
essence Dionysus personifies unusual conditions of consciousness, that is
identical to processes which occur as a result of realization of integrating
functions of consciousness in a context of physiognomy.
Mythological Apollo is founder of the Delphic Oracle, namely this god has gift
or talent of prophecies, that corresponds with integrating consciousness which
is a link between synthesizing and analytical functions of consciousness, and
which forms interrelations between various sources of information.
And also Apollo is the god of art that too means creation of interrelations
between various sources of information.
Apollo is brother of Artemis in a context of the Greek mythology, that
specifies correlation of integrating consciousness and compromise feelings, and
also correlation of the forehead middle with the lower lip in
lineaments of a human face in a context of physiognomy.
Top of forehead - num sign 9 - Aphrodite in myths.
The mythological Aphrodite is the goddess of terrestrial and heavenly love.
In the first case she has name Pandemos and corresponds with synthesizing traits
of consciousness according to which people perceive various sources of
information as a unit or a single whole. And in the second case she has name Urania
and means ideas which people perceive as entering psychological signals in view
of physiognomy.
Otherwise it is possible to tell that Aphrodite in the first case is
personification of terrestrial wisdom, and in the second case personifies
heavenly wisdom, but in both cases she symbolizes love which is connected with
maximal displays of mind and which corresponds with top of forehead in
physiognomy.
Wisdom and love of Aphrodite can be shown not only in sphere of
consciousness, but also at different facial traits of individuality and feelings
if any lineaments of other physiognomic spheres also are expressed together with
top of forehead. As Aphrodite in a context of the Greek mythology is the goddess
whose beauty is pleasant to all gods. And including she is pleasant for Hera and
Athena, though these goddesses challenged the right to be the most beautiful.
More detailed information on mythological gods of ancient Greece and numbers of
Pythagorean numerology look on pages of other website
www.numeralgame.64g.ru/en.htm in section about numerology.
And in particular look the information on ratio of nine numerological numbers
and interrelations of the Greek mythological gods within the magic square
according to which it is possible to consider interrelations and ratios of
facial traits in a context of physiognomy.
Or information on characters and interrelationships of gods look in books about
mythology, and also directly in texts of ancient Greek myths.
The information about meanings of
physiognomic spheres of a human face and
psychological signals of personality in a
context of physiognomy look on pages of this website in sections which have
names:
half faces (concepts 1 and 4).
The listed characteristics of mythological gods and numerological numbers are
compared to physiognomy of a human face in frameworks of nine-level physiognomic
system that differs from twelve levels of facial traits which correspond
with geometrical proportions of the sacred Egyptian or Pythagorean triangle, and
also correspond with twelve signs of the zodiac and planets in astrology.
Physiognomic lineaments of two systems have equal but not identical parities
with facial traits, that is shown on the chart.
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The scale of twelve-level physiognomic system is
specified at the left of conditional facial contour on this chart,
and the scale of nine-level lineament system on the right is specified. Dark points specify facial traits which correspond to levels of both systems, and white points specify facial traits which correspond to lineament features of only twelve-level system. As it is possible to see, the bottom of nose bridge, the interval between nose and upper lip, the interval between chin and lower lip are not considered in the nine-level physiognomic system. And other facial features are equal in two systems. |
During physiognomic researches for visual measurements of facial traits it
is possible to be approximately guided by the shown dark and white points, that
can be quite enough in a context of physiognomy. Or it is possible to apply
methods of exact measurements if
calculations of geometrical proportions of facial shapes are required, that can
be necessary in physiognomy, and also in cosmetic medicine and plastic surgery,
that is told on pages of this website in section: half
faces (concepts 3).
For exact measurements of formal sizes and shapes of human faces within the
nine-level physiognomic system it is possible to apply a special scale which is
compared to sizes of nine facial traits. The information on such scale of
lineament measurements I shall try to publish in the future.
The following page compares gods of ancient Greek mythology to Roman deities, and also compares to numbers in numerology and physiognomy of a human face.
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