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Facial traits and mythology of gods.
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The first page compares nine numbers of Pythagorean numerology
and images of gods of the Greek mythology to facial traits of a human
face within the nine-level physiognomic system.
The second page gives information on gods of the Roman mythology
and other mythological deities of the ancient world, and also on
parities of gods of ancient Rome with numerology of Pythagorean numbers
and physiognomy of a human face.
The third page compares gods of the Scandinavian mythology to
gods of Greek and Roman mythological systems, and also to numbers of
Pythagorean numerology and facial physiognomy of people.
The fourth page compares numerology of Pythagorean numbers and
physiognomy of facial traits in a human face to nine grades of angels
and divine Trinity in a context of Christian philosophy.
The fifth and sixth and seventh pages compare physiognomy of a
human face and numbers in numerology with world levels in the Divine
Comedy of Dante Alighieri.
In particular the fifth page describes levels of the terrestrial world
and nine circles of hell, that corresponds to negative meanings of
numerological numbers and to negative psychological characteristics of
facial traits.
The sixth page compares physiognomy of a human face and nine numbers in
numerology to circles of purgatory.
The seventh page correlates circles of heavenly paradise with
numerological numbers and features of a human face, and also seventh
page shows the general chart of universe in the Divine Comedy of Dante
Alighieri.
The eighth page correlates facial physiognomy with symbols which
are known in the Chinese Book of Great Mystery and are analogues of nine
numbers in Pythagorean numerology.
The ninth page gives information about subjective and objective
notions on beauty of human faces, and also recommendations for
correcting of subjective notions in a context of physiognomy
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Also look within this website other sections with information which shows
physiognomy of a human face in profile in view of diverse sights at the nature
of human personality in a context of different philosophical directions of ideas
and culturelogical knowledge about universe.
Half faces (concepts 1) shows logic
ratio of 64 hexagrams of the Chinese canon of changes i-jing with features
of a human face in profile, namely six lines in hexagrams are compared to six
facial lineaments, that allows to correlate human character traits in a context
of physiognomy to lines in symbols of the canon i-jing. And also physiognomy of
human profiles is considered in view of nine facial lineaments which are
comparable to levels of universe and grades in hierarchy of angels in Christian
philosophy, and also with nine numbers of Pythagorean numerology and symbols of
the Chinese Book of Great Mystery.
Half faces (concepts 2) describes
ancient Greek and Chinese philosophical systems, and also various
systems of Indian philosophy according to ideological sights and concepts of
different philosophers at constructions of universe, that is comparable to
physiognomy of human faces. Namely philosophical concepts of consciousness and
sensual perception of world structures, and also conception of individuality in
a context of ancient philosophy are compared to facial traits which can be
considered as projections of universe in perspectives of physiognomy.
Half faces (concepts 3) shows geometrical figures of correct polygons and
methods of measurements according to which it is possible to compare
sizes and shapes of human faces to
proportions of figures in geometry, that allows to calculate formal parameters
according to which facial traits of people seem beautiful or ugly.
Half faces (concepts 4) shows ratio of twelve zodiacal signs and planets
in astrology with physiognomy of human faces.
And also human facial traits are shown as geometrical projections of the sacred
Egyptian triangle within astrological circle, that allows to speak in a context
of physiognomy about character traits according to values of zodiacal signs and
meanings of planets, and also according to characteristics of corresponding gods
of the Greek and Roman mythology.
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