Physiognomy of symbolical emotions.
Hexagram of the canon of changes YiKing 7.

If you are artist of theatrical dolls or director of a puppet theater then physiognomic symbols in gallery can be considered as physiognomies of characters and personages of doll performances, or otherwise to tell as acting faces of puppet shows.
If physiognomies of theatrical dolls are made according to hexagrams of the canon of changes and interconnected with the shown physiognomic symbols of human emotions then mutual relations of characters and personages of puppet theaters in performances and shows can be organized according to psychological ratios, and can be in essence compared to emotional psychology of people that can be interesting to spectators and audience.

-

Emotions of social relationships.
Eyebrows: individual mind corresponds with public consciousness.
Eyes: personal volition corresponds with collective will
Mouth: private needs predominate over social requirements.
Personal volition and reason of a man or woman are identified with collective will and mentality, but private needs prevail requirements of society.

Personal mutual relations.
Eyebrows: you think of people and-or companions regard you.
Eyes: you see people and-or companions notice you.
Mouth: you can speak and-or companions listen to you.

Mental attitudes.
Eyebrows: your notion is equivalent to opinions of people.
Eyes: your point of view is equivalent to sights of people.
Mouth: your words determine assertions of people.

You aspire to dialogue with environmental or surrounding people as they answer your needs.

-

Following 8 physiognomic symbol in gallery.
About emotional psychology and faces of characters in theater of dolls, also collective mentality and physiognomy of puppet shows.