Physiognomy of symbolical emotions.
Hexagram of the canon of changes YiKing 28.

If you are the make-up artist at theatre or cinema then you can specify to film directors or theatrical producers such faces of dramatic actors or actresses who most approach for creation of this or that emotional physiognomies, or otherwise to tell scenic or stage images. Namely as a make-up artist you can analyze facial features and systematize emotional types of dramatic actors of theatre and cinema according to the shown physiognomic symbols, and also by means of hexagrams of the canon of changes Yi King. As a result make-up artists can choose acting persons for theatrical performances or films and motion pictures, and in essence can specify to producers of stage and screen such actors and actresses whose facial features are most comparable for characteristics of personages and for optimal designations of roles.

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Emotions of social relationships.
Eyebrows: individual mind subordinates to public consciousness.
Eyes: personal volition does not depend on collective will.
Mouth: private needs predominate over social requirements.
Collective consciousness influences mind of a man or woman, and private needs influence demands of society, but subjective volition of personality is indifferent to public will.

Personal mutual relations.
Eyebrows: you do not realize people and-or companions disagree with you.
Eyes: you do not see people and-or companions do not notice you.
Mouth: you can speak and-or companions listen to you.

Mental attitudes.
Eyebrows: your notion is caused by opinions of people.
Eyes: your point of view is neutral to sights of people.
Mouth: your words determine assertions of people.

You do not pay attention to people but address to them.

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Following 29 physiognomic symbol in gallery.
About theatrical performances and motion pictures, also dramatic actors and emotions of film characters.