Facial symbols in gallery of emotional impressions.
Information of this online page about physiognomy and emotional impressions of people can be interesting to facial designers and visual artists, or image makers and cosmeticians, because physiognomic symbols in gallery can be considered as stylistic images or patterns of face-reading for cosmetic make-up of female faces.
Mimic motions or facial expressions can be perceived differently. It is
possible to speak that people experience impressions or have emotional
conditions, or express personal relations to phenomena of world around,
but in all cases human emotions are shown, or otherwise to tell there
are psychological processes as a result of which physiognomic reactions
of a human face are display. Therefore online pages of this website
present five galleries which allow to consider different psychological
aspects of human emotional displays.
Physiognomic symbols of emotions or otherwise to tell visual modifications of mimic motions in galleries are coordinated with sequence of 64 hexagrams in the Chinese canon of changes I-Ching. Namely serial numbers of symbolical images of a human face in five galleries correspond to numerals which designate hexagrams in the canon I-Ching.
Each image in galleries is accompanied by commenting texts which allow to understand physical values and psychological meanings of emotions or otherwise to tell allows to identify a visual row of mimic modifications.
Commenting texts in galleries are linguistic formulas in which physiognomic spheres and physical features of a human face are compared to words. Semantic word meanings allow to speak about senses and characteristics of psychological processes as a result of which emotional changes occur.
Gallery of human emotional impressions.
Eyebrows in the gallery of human emotional impressions are correlated
with ideas of people, because the top third of human face means
consciousness in view of physiognomy.
Mouth is correlated with feelings or otherwise to tell with sensual sensations, because the bottom third of human face corresponds to psychological characteristics which mean sensuality of people.
Eyes are correlated with desires or otherwise to tell individual aspirations of people, because the middle third of human face means individuality in view of physiognomy. But personality is not identified with individuality as psychological structures of a human person develops not only of individual desires and aspirations which correspond with eyes, but also of ideas and feelings which correspond with eyebrows and mouth in facial features.
Look information on three physiognomic spheres of facial features or lineaments, and also on ratio of consciousness and feelings with individuality of a human person in other sections of this website.
Emotional impressions in gallery mean mental associations which are connected with physiognomic features of a human face and are caused by mimic changes. Namely emotional impressions are hypothetical mental assumptions about psychological meanings of emotions which are guessed in faces of people when one person perceives other. Or it is possible to tell that human emotional impressions are visible visual sensations which arise when facial features within logical system of mimic motions correspond with different combinations of lines in hexagrams in the canon of changes I-Ching and various physiognomic symbols of emotions.
For example, eyes of a person can be joyful, but eyebrows and mouth can be sad, and consequently it is possible to think that emotional expression of eyes is sad. Or eyes can be sad, but eyebrows and mouth can be joyful, and then can seem that psychical joy is shown in emotional expression of eyes.
Understanding and comprehension of human emotional impressions allows to distinguish emotions which are shown in faces of people. And also it allows to perceive another's emotions irrespective of own emotional displays, because human perception is psychological algorithm or mechanism which is caused by subjective attitude of each person to phenomena of surrounding validity. Namely human perception is accented by own emotional displays, that can cause distortion in perception of emotions in faces of people.
For example, if expression of eyes of one person is sad, and eyebrows of second person express quiet emotions, then there can be a subjective impression that quiet eyebrows seem sad. Namely it can seem to the first person that quiet eyebrows of the second person express sad emotions, that is caused by sad expression of own eyes and is consequence of subjective perception.
In essence it is possible to tell that understanding and comprehension of emotional impressions allows to learn emotions in features of human faces, that is possible in the event then observers considers logical system of mimic changes and physiognomic symbols according to which physical values and psychological meanings of emotions can be identified without subjective distortions.
Besides physiognomic images (drawing physiognomies) and commenting texts in gallery of emotional impressions can be used for research of spiritual experiences of people or otherwise to tell psychical changes of human souls. Because facial emotions of people are caused by aspirations or otherwise to tell mental energies which form spiritual structures of personalities. Namely the shown physiognomic images or emotional symbols can be considered as changes of human souls during spiritual or vital experiences of human personalities.
Words in the name of the Chinese canon of changes I-Ching can be translated into English language as "canonical alterations". Namely "I" matters "alterations" and "CHING" means "canon". But also the word CHING can mean "fabric" or "basic strings of a fabric", that also can matter "soul" if to consider multiple-valued semantic senses of Chinese hieroglyphs. And consequently the word-combination I-CHING can be translated as "alterations of human souls".
Hence, physiognomic images in aggregate with hexagrams of the canon I-Ching can be considered as symbols of spiritual changes. And accordingly it is possible to consider that psychical joy or grief, or other emotional expressions of human faces mean vital experiences which occur in lives of people and determine changes of souls.
In essence sequential row of symbols in the Chinese canon of changes I-Ching can be considered as a way of spiritual development, and serial numbers of 64 hexagrams can be considered as numerical designations of stages of vital experiences. And accordingly logical system of physiognomic images in gallery can be perceived as a consecutive row of psychological reference points according to which emotional changes occur and human souls develop.
The sequence of hexagrams within the canon of changes I-Ching is not casual, but is coordinated with chronological cycles of global processes, and including with order of psychological processes according to which evolution and development of a human life is carried out. Therefore physiognomic images within logical system of human emotions too are coordinated with movement of global processes and evolution of a life, that allows to trace orders of spiritual changes.
As it is told in the biblical book of Ecclesiastes.
"There is a time for everything, and a season for every activity under heaven: - a time to be silent and a time to speak; - a time to weep and a time to laugh".
So psychical grief during a human life can be replaced by pleasure, and the pleasure can be altered by grief, and each emotional change is not casual, but is caused by previous psychological processes which predetermine development of people and evolution of souls.
In essence the shown physiognomic images can be used for research of ways on which human souls move. But it is necessary to consider that the order of images in gallery corresponds to ideal sequence, but valid spiritual changes are more complex because depend on many factors and circumstances which people meet in a life. It is possible to tell that physiognomic images of emotions and the sequence of hexagrams within canon of changes I-Ching symbolize ideal stages of "world ladder" along which human souls should follow, but valid ways of development do not happen by straight roads.
Therefore it is impossible to foresee emotional changes which can be consequence of previous alterations of facial features. Or otherwise to tell it is impossible to expect next emotional images of a human face, but however you can assume about possible displays of emotions which will be in the future. Namely if a present emotional image is known then it is possible to assume about future displays of facial emotions. And also it is possible to choose changes of emotions which are necessary in the future, and in essence it is possible to plan ways on which your soul follows.
Look information on cause-effect relations according to which previous hexagrams I-Ching can be logical reasons or continuations of the subsequent. And also information on causes and effects according to which previous emotional processes anticipate variants of future emotional changes, look on pages of this website in section which is named as chronology, where you can see different calendar orders and arrangements of the canon of changes I-Ching in rings and spheres within which it is possible to see successive interrelations of hexagrams and physiognomic images.
In total according to the shown physiognomic images it is possible to understand own emotional experiences and to expect future changes of emotions. Or it is possible to perceive and realize emotions in faces of surrounding people. And also it is possible to understand reasons of emotional experiences and to realize psychological principles according to which emotions can be changed.
For example, if a man thinks about sorrowful events then eyebrows have sad emotional expression which can be changed if to influence his mind by means of own joyful ideas or feelings, namely if own facial features express joyful emotions. But if joyful ideas and feelings are not comprehensible to a sad person then you can apply open emotional expressions to relieve of grief.
If a man not only thinks about sorrowful events but also his individuality is sad, that is possible to see if not only eyebrows but also eyes express grief, then in this case emotional expressions of eyes and eyebrows are not inconsistent, and consequently there is no necessity to change emotions.
If not only eyebrows and eyes, but also his mouth expresses sad emotions, then it is too much sorrowful emotional image which you can try to change.
If eyes and eyebrows are sad but the mouth is quiet, then it is not necessary to change spiritual experience of a person, as sad emotions can be necessary for development of human soul. If the mouth has open emotional expression then it obviously specifies that you can influence emotions of other person for mental clearing of sad moods.
The listed examples are only some principles according to which it is possible to estimate emotions in faces of people and to choose emotional images which can be comprehensible and necessary for associates.
The detailed description of all principles is too vast, but by means of physiognomic images in galleries it is possible to estimate any situation and to choose correct emotional behavior.
Look information about emotional images which are optimum in mutual relations of people and which are favorable for development of human souls on pages of this website in other section which has the name: circles of emotions.
Besides gallery of human emotional impressions gives principles
according to which it is possible to correlate physiognomic symbols of
emotions to shapes and outlines of female faces, and to create images of
cosmetic make-up which correspond to emotional expressions of women.
Namely psychological principles according to which physiognomic symbols
of a human face can be considered as online designer or logical
organizer of visual emotional images for stylistic arts of cosmetic
Or physiognomic symbols in the gallery of human emotional impressions can be used for selection of facial images which are necessary for women in those or other vital situations, that can be interesting for make-up designers and cosmetic visual artists of female faces.
Following page results information on meanings of facial emotions or emotional displays in gallery which has the name oracle.
Besides on nine pages in this online resource it is possible to find information about faces of people and hexagrams I-Ching for psychoanalysis and psycho-linguistics, puppet character of Pierrot and physiognomic images in online galleries, mantic oracle of linguistic formulas and symbolical values of facial physiognomy, emotional displays as analytical formulas or language of Ultimate General Art.