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physiognomy of emotions on www.64g.ru

I-Ching in gallery

basic concepts and binary system
binary system of the canon of changes
commenting texts and physiognomic images
facial emotions in gallery
information on emotional symbols
galleries of conditions and times
information on symbols of emotions
hexagrams I-Ching and mimic motions
defining and defined words 

Concepts of the canon of changes I-Ching.
Emotions in physiognomy of a human face.

This section of website gives information for understanding of binary system of hexagrams in the canon of changes I-Ching, and for understanding of logical system of physiognomic images in five galleries which show changes of emotions of a human face, and which have names: impressions - oracle - conditions - relations - times.
Nine pages describe different aspects of offered system of facial emotions and physiognomy, namely various questions about logics, linguistics and analytical philosophy, and actually information which is necessary for understanding of words which express values or meanings of emotional expressions and which are connected with hexagrams I-Ching and physiognomic images in galleries.
First page describes basic concepts and binary system of the canon of changes I-Ching in the ratio with symbolical system of mimic motions of a human face.
Second page describes binary system of the canon of changes I-Ching and logical design of human facial emotions, namely interrelations of hexagrams with versions of emotional expressions.
Third page gives review of commenting texts and physiognomic images in gallery which has the name of impressions.
Fourth page gives information on commenting texts and mantic values of facial emotions in gallery which has the name of oracle.
Fifth page gives information on emotional symbols in gallery which has the name of relations, and which allows to understand facial emotions arising in mutual relationships of people. And also emotional images or mimic physiognomies of fictional puppets (marionettes) and theatrical characters of the Italian Commedia dell'Arte are shown.
Sixth page gives information on symbols of human emotions and commenting texts in galleries which have names of conditions and times.
Seventh page gives constructive philological analysis of principles and rules according to which linguistic formulas of words in galleries correspond with hexagrams of the canon of changes I-Ching and mean emotional displays or expressions of a human face.
And also instructions for visual observation of emotions in faces of people are given.
Eighth page results information about analytical philosophy according to which principles it is possible to correlate words with hexagrams of the canon of changes I-Ching and mimic motions or emotions which are shown in features of human faces. And also about logic principles of Raymond Lull's ARS MAGNA or Ultimate General Art which is logical prototype of analytical philosophy.
Ninth page gives information about ratio of defining and defined words in logic formulas of analytical philosophy with physiognomy and emotions in features of a human face. And also about complex logic formulas in which words have variable arrangements and possess epithets.

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Besides on pages of this website look section which has the name of emotional types, where physiognomic examples for visual identification of emotions in shapes of human faces are shown.
As examples look photos according to which it is possible to see constant displays and altered expressions of emotional types and shapes in human faces.
And also look astrological methods for calculations of emotional types and facial shapes according to birth dates and celestial charts or cosmograms of people.

Or on pages of this website look section which is named as circles of emotions, where circular spatial arrangements of hexagrams of the canon of changes I-Ching and physiognomic symbols of human emotions are shown.
The shown spatial arrangements of physiognomic symbols allow to speak about harmonious or disharmonious ratios of emotions according to geometrical aspects which are similar to positions of zodiacal signs within astrological circle.

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physiognomy of emotions and characters in the book There is the book "Physiognomy of human emotions and characters" where it is possible to find information on three galleries of physiognomic images. But in the book there are no information on two galleries which have names of conditions and times. And also in the book there are no materials about analytical philosophy and there are no logical linguistic formulas which are described in this section of website.
The book is written on Russian, but I hope that in the future there will be new editions in English or other languages. And also in new editions of this book I plan to publish materials about spatial arrangements of physiognomic symbols and emotional types which can be observed in faces of people.

 

Information about this face-reading can be interesting not only for experts on physiognomy, or for people who study to read emotions of a human face, but also for mathematicians and programmers who develop emotional displays of artificial intellect and virtual characters in computer games, or who design humanoid robots and automatic androids. Namely for computer programmers who design mimic motions and emotional reactions of virtual game characters or humanoid automatic robots.
For experts or other scientists who study culture and philosophy of ancient China, and in particular concepts of the canon of changes I-Ching and Chinese numerology.
For fashionable facial designers and visual artists, or image makers and cosmeticians who can use physiognomic symbols of human emotions in galleries as stylistic images or patterns for cosmetic make-up of lineaments and features in female faces.
For researchers of esoteric knowledge and mantic predictive systems.
For theatrical directors and popular actors, or film artist and acting faces of motion pictures, or television presenters and showmen who can consider physiognomic symbols of human emotions in online galleries of this website as logic images or emotional masks which can be actual in the context of dramatic arts.
For psychoanalysts and linguists who investigate interrelations of linguistics with psychoanalysis and psychology of human personality.
For literary critics or people who are interested in poetry and logical poetic systems, as verses and lines of poems are comparable with hexagrams of the canon of changes I-Ching and linguistic formulas of analytical philosophy in online galleries of this website.

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