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Lateral and frontal facial perspectives in profile and full-face on horizontal axes of coordinates, and also vertical measurements of lips and chin in view of physiognomy form datum lines of sensual displays of human personality, as well as other features of a human face form geometrical coordinates of human personality within three physiognomic spheres. Namely potential and kinetic psychological traits of human feelings are projected in geometrical shapes of lips and chin, and form axes of coordinates or datum lines which can be systematized by means of symbols of the canon of changes i-jing, that is shown in the table.
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Top lines in trigrams of the canon i-jing in the table correspond to upper lip.
Middle lines correspond to shapes of lower lip. Bottom lines symbolize outlines
of a chin.
Bottom row of physiognomic drawings corresponds to the sizes of lips and
chin according to frontal facial perspectives in full-face concerning horizontal
axis of measurements. Namely entire lines in Ba Gua mean wide shapes of lips and
chin, and break lines mean narrow sizes of these facial features. For example,
the seventh Ba Gua corresponds with physiognomic drawing where the chin is
narrow and the upper lip is wider than lower lip.
Middle row of physiognomic drawings corresponds to the sizes of lips and
chin according to lateral facial perspectives in profile concerning horizontal
axis of measurements. Entire lines in Ba Gua mean the expressed shapes of lips
and chin, and break lines mean not expressed formal sizes. For example the
second Ba Gua shows the drawing where the chin and lower lip are expressed, and
shapes of upper lip are not expressed.
Top row of physiognomic drawings corresponds to the sizes of lips and
chin according to vertical axis of facial measurements. Entire lines in Ba Gua
mean long vertical sizes, and break lines designate short vertical sizes of
facial traits. For example, the sixth Ba Gua corresponds to the drawing where
vertical size of the chin is short, and shapes of lower lip are more than upper lip.
According to the shown physiognomic drawings it is possible to analyze ratios of
potential and kinetic psychological features of human personality in facial
sphere of feelings.
For example, the sizes of lips and chin on the human face in view of physiognomy
correspond to the sixth trigram in full-face and to the seventh trigram in
profile according to horizontal facial measurements, and also correspond with
the first Ba Gua of i-jing according to vertical axis of measurements, that is
possible to designate F6
L7
V1
by letters and symbols.
Ratios of psychological features of personality in this case are the following.
Upper lip - regulated feelings.
The insignificant sensual potential is insufficient for realization of intensive
kinetic sensual displays, but according to significant vertical sizes of upper
lip there is an impression that sensual aspirations of the person are realized.
As in 6th Ba Gua on top position there is the break line, and in 7th and 1st
trigrams on top positions there are entire lines, that corresponds to the upper
lip which is narrow in full-face and expressed in profile, and is big according
to vertical facial measurements.
Lower lip - compromise feelings.
Significant potential sensuality cannot be realized by insignificant kinetic
intensity of sensual displays, but according to the big vertical size of lower
lip it seems that the person feels own sensual potencies as realized, namely
impracticable kinetic aspirations of sensuality are not perceived as
unsatisfactory. As in 6th trigram on middle position there is the entire line, and in 7th
trigram there is the break line, but in 1st Ba Gua there is the entire line, that corresponds to
shapes of upper lip which is wide in full-face and
not expressed in profile according to horizontal facial coordinates,
but is long on vertical coordinate.
Chin - reactionary feelings.
Insignificant sensual potencies are not contrast for insignificant kinetic
possibilities for realization of sensual aspirations, but according to long
vertical sizes there is an impression that potencies of human feelings are
realized. As in 6th and 7th trigrams on bottom positions there are break lines,
and in 1st Ba Gua of i-jing there is the entire line, that corresponds to
geometrical measurements of the chin which is narrow in full-face and not
expressed in half-face according to horizontal coordinates of facial shapes, but
has long size according to vertical axis.
The information about psychological
meanings of three facial levels of feelings in a context of physiognomy
look on pages of this website in section with the name:
half-faces (concepts).
In a similar way geometrical shapes or otherwise to tell physiognomic
coordinates of lips and chin allow to speak about ratios of potential and
kinetic features of human feelings, or otherwise to tell psychical traits of
empirical perception of world phenomena.
In total according to geometrical measurements of a face in a context of
physiognomy it is possible to consider ratios of empirical and mental perception
of the world according to facial shapes in spheres of feelings and
consciousnesses with features of existential perception according to facial
traits in sphere of individuality. Namely it is possible to consider complex
combinations of psychological features of personality according to complex
ratios of geometrical shapes and sizes of a face at different physiognomic
levels. And accordingly it is possible to use complex figures of symbols of the
canon i-jing which in total can be multilevel and multivariate combinations of
trigrams, and also hexagrams and nonagrams.
Such methods of consideration of a human face can be used not only in
physiognomy or psychology, but also in cosmetic medicine and plastic surgery.
Namely doctors cosmeticians and plastic surgeons can measure not only formal
sizes and proportions of faces, but also can consider ratios of facial shapes in
view of psychological meanings which correspond to facial features, that can
matter before plastic operations and cosmetic procedures.
Or make-up stylists and art designers of female faces can consider
psychological meanings which correspond with different sizes of facial shapes,
that can be important in view of a cosmetic make-up and stylistic design in
beauty shops or consulting rooms of cosmeticians. Namely can be important for
correct facial make-up.
The following page describes geometrical coordinates or datum lines of eyes in faces of people.